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Editorial
Illustration
Graphic Design
Screen Print
Branding + Packaging
Branding + Packaging
Branding
Branding + Packaging
Screen Print
Screen Print
Screen Print
Graphic Design
Screen Print
Graphic Design
Motion
25-26
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18
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19
■ Design | sampleanimal + Jia Hong Huang
■ Illustration | Allison Hsiao
■ Music | Wendy Wonder, Midnight Blue
Album artwork for Wendy Wonder, Midnight Blue.
■ 18’’ x 24’’ in
■ Digital Print
This foldable, double-sided poster compares the work of Wim Crouwel and Experimental Jetset, exploring their approaches to typography, structure, and design thinking across historical and contemporary contexts.
Designed to function as both a brochure and a poster, it balances information and form—using layout and grid as tools for both communication and analysis.
■ 20’’ x 28’’ in
■ Silkscreen print with CMYK colors
■ Collaboration with Ethan Östling
■ Photography | Allison Hsiao
This poster responds to Alexandra Cuesta’s Camera Notes, a work built from the quiet accumulation of everyday moments. Filmed across upstate New York, Los Angeles, Japan, and Chile, Cuesta captures fragments that resist narrative, unfolding instead through repetition and attention.
The design draws on typography inspired by 16mm film packaging, referencing the material language of her practice. Combined with a focus on subtlety and fragmentation, it suggests an ongoing process of looking—holding space for small details, memory, and presence.
■ 20’’ x 28’’ in
■ Silkscreen Print
The CalArts School of Film/Video presents a juried selection of special screenings featuring new films by students across its four programs. The poster uses geometric shapes and linear elements to create optical movement, giving the typography a sense of motion. Inspired by lenticular imagery, layered lines produce a shifting visual effect that reflects the temporal nature of film.
■ 20’’ x 28’’ in
■ Silkscreen Print with CMYK colors
■ Collaboration with Alex Cerutti
CalArts has a long history of graphic designers creating experimental posters for visiting artists, exhibitions, and performances across music, theater, and dance—both on campus and for venues like REDCAT and Machine Project. This exhibition draws from the CalArts poster archive (posters.calarts.edu), featuring predominantly limited-run silkscreen prints. In response, this poster is conceived as a poster about posters: a series of individual posters carrying fragments of event information are brought together into a final composition, layering content, repetition, and distribution into a single form.
■ 20’’ x 28’’ in
■ Silkscreen Print
Adentro! examines the construction and performance of masculinity within Argentine dance traditions, particularly the Zamba. Rather than simply presenting these forms, the work turns inward—treating machismo as something both embodied and performed, intimate yet theatrical. Through repetition, exaggeration, and fragmentation, familiar gestures are destabilized, revealing their emotional and psychological undercurrents.
The choreography navigates a space between desire and control, vulnerability and display, where the body becomes a site of tension and transformation. By reworking the codes of Argentine movement and music, the piece exposes their latent sensuality and contradictions, using humor and intensity to question how identity is staged, perceived, and internalized.
■ 19 x 22.5 cm
■ 220 Pages
A research-driven publication exploring the history and evolution of design through movements, practitioners, and disciplines. Spanning from pioneering figures to contemporary designers, the book examines key design movements, editorial practices, and theoretical frameworks through a continuous text-flow layout that reflects design’s ongoing progression across time. This uninterrupted editorial structure reinforces the idea of design as an evolving continuum, connecting historical context, critical analysis, and contemporary practice within a cohesive publication format.
■ 20’’ x 28’’ in
■ Silkscreen print with CMYK colors + Silver
■ Collaboration with Tiana Li
CalArts Dance presents an international repertory program bringing together distinct choreographic voices working in the present. Spanning works by Wayne McGregor, Salia Sanou, Danielle Agami, and Yvonne Rainer, the program explores a range of approaches—from cognitive experimentation to questions of exile, intimacy, and historical legacy.
In response, I developed the visual identity by extracting key visual elements from each dance work, using them as symbolic markers for the program. These fragments form a composite “trailer” image that reflects the varied tones and gestures of the performances without fully revealing them.
■ 8’’ x 10’’ in
■ Selected Works From Artist | Erik Sandberg, Evelyn Bencicova, Merve Morkoç, Oleg Dou, Amandine Urruty
Darker Than Black is an exhibition catalog designed as an “on-paper exhibition,” translating the experience of a curated gallery show into book form. Centered on the theme of inner human fear, the publication brings together five artists whose works explore anxiety, uncertainty, and the darker edges of human emotion. Structured as individual artist “showrooms,” the catalog features selected artworks, interviews, and conceptual texts, creating an immersive reading experience that mirrors the act of moving through an exhibition.
Eyeworks Festival of Experimental Animation
■ 20s
Eyeworks is an invitational festival dedicated to abstract and unconventional character animation, showcasing a wide range of experimental works across historical and contemporary contexts. Featuring both classic films and new works, the festival highlights innovative approaches to animation through a curated program that celebrates formal experimentation, expanded visual language, and diverse moving-image practices.