Graphic (Branding + Packaging + Illustration + Editorial) Designer.





Selected WorkTypeYr
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07
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    Editorial
    Editorial
    Illustration
    Graphic Design

    Screen Print
    Branding + Packaging
    Branding + Packaging

    Branding
    Branding + Packaging
    Screen Print
    Screen Print
    Screen Print
    Graphic Design
    Screen Print
    Graphic Design
    Motion
    25

    25-26
    23
    21
    20
    22
    21
    23
    22
    18
    20
    19
    16
    19
    19
    19


    ProjectTypeYr

    Harper’s BAZAAR ART MagazineEditorial
    25

    Harper’s BAZAAR MagazineEditorial
    25-26

    WENDY WANDER, MIDNIGHT BLUE

    Illustration 
    23



    ■ Design | sampleanimal + Jia Hong Huang 
    ■ Illustration | Allison Hsiao
    Music | Wendy Wonder, Midnight Blue



    Album artwork for Wendy Wonder, Midnight Blue.


    Two Lines Align

    Graphic Design
    21



    ■ 18’’ x 24’’ in
    ■ Digital Print


    This foldable, double-sided poster compares the work of Wim Crouwel and Experimental Jetset, exploring their approaches to typography, structure, and design thinking across historical and contemporary contexts.

    Designed to function as both a brochure and a poster, it balances information and form—using layout and grid as tools for both communication and analysis.



    Alexandra Cuesta: Camera Notes (Part One & Two)

    Screen Print
    20


    ■ 20’’ x 28’’ in
    ■ Silkscreen print with CMYK colors
    ■ Collaboration with Ethan Östling
    ■ Photography | Allison Hsiao


    This poster responds to Alexandra Cuesta’s Camera Notes, a work built from the quiet accumulation of everyday moments. Filmed across upstate New York, Los Angeles, Japan, and Chile, Cuesta captures fragments that resist narrative, unfolding instead through repetition and attention.

    The design draws on typography inspired by 16mm film packaging, referencing the material language of her practice. Combined with a focus on subtlety and fragmentation, it suggests an ongoing process of looking—holding space for small details, memory, and presence.



    2018 CalArts Film & video Showcase

    Screen Print
    18



    ■ 20’’ x 28’’ in
    ■ Silkscreen Print


    The CalArts School of Film/Video presents a juried selection of special screenings featuring new films by students across its four programs. The poster uses geometric shapes and linear elements to create optical movement, giving the typography a sense of motion. Inspired by lenticular imagery, layered lines produce a shifting visual effect that reflects the temporal nature of film.

    Inside Out & Upside Down: Posters from CalArts 1970–2019

    Screen Print
    20




    ■ 20’’ x 28’’ in
    ■ Silkscreen Print with CMYK colors
    ■ Collaboration with Alex Cerutti



    CalArts has a long history of graphic designers creating experimental posters for visiting artists, exhibitions, and performances across music, theater, and dance—both on campus and for venues like REDCAT and Machine Project. This exhibition draws from the CalArts poster archive (posters.calarts.edu), featuring predominantly limited-run silkscreen prints. In response, this poster is conceived as a poster about posters: a series of individual posters carrying fragments of event information are brought together into a final composition, layering content, repetition, and distribution into a single form.

    Diana Szeinblum - Adentro!

    Screen Print
    19




    ■ 20’’ x 28’’ in
    ■ Silkscreen Print




    Adentro! examines the construction and performance of masculinity within Argentine dance traditions, particularly the Zamba. Rather than simply presenting these forms, the work turns inward—treating machismo as something both embodied and performed, intimate yet theatrical. Through repetition, exaggeration, and fragmentation, familiar gestures are destabilized, revealing their emotional and psychological undercurrents.

    The choreography navigates a space between desire and control, vulnerability and display, where the body becomes a site of tension and transformation. By reworking the codes of Argentine movement and music, the piece exposes their latent sensuality and contradictions, using humor and intensity to question how identity is staged, perceived, and internalized.
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